(or the end of one year and the start of the next)
I'm sitting here as the sun disappears on the shortest day of the year, with a red cinnamon candle burning. Red for love, happiness, warmth, generosity. I am not sad that this year is over, though it hasn't been my worst by a long chalk. I had hoped to be a leaseholder by now, but that looks likely to happen next month so I can wait a little longer.
Unusually, I took a few extra days off work this week to give myself a longer soul holiday this year. Normally I work right up to when my employer closes for Christmas, and I would have no objection to working on Christmas day (or any other day) as long as I was compensated in some way. But this year I need to use up the leave I had been saving in order to get my kitchen re-done. I intend to use these days as soul yoga time. It's a phrase my friend Ciel came up with years ago, meaning doing things that are gentle stretches for your mind and mental health. Sometimes it can include physical activities, if your mental health responds well to them. Today I decided to go for a walk, instead of staying home all day with only the garden birds for company.
I started by taking one of our town buses to the end of its route, where I'd never been before. It was an interesting ride, and easy to know where to get off as it was a large supermarket. Then I looked at the road signs and picked a direction that would lead to somewhere I was familiar with.
I have osteoarthritis, and depending on the weather I can walk about 3 miles on a really good day before I get some pain or discomfort. Today was not a really good day, but an OK day, and my spidey senses got me onto a familiar bus route after about a mile which then gave me the confidence to take the rest of the distance one bus stop at a time. I managed about 2 miles before getting back on a bus, and I'm happy with that.
Back home, my de-stash continues; I had some dusky pink aran yarn that has now been turned into a jacket for a 2-3 year old and I finished a matching beret this afternoon. Then I started a cowl with some alpaca mix yarn which will be for a friend when we have lunch next week, and I'll try and get a pair of fairisle gloves done for the other friend who will be joining us. There is a lot of half-used 4-ply yarn left over from socks and fairisle seems a logical thing to use it all on.
And then I have a secret project that I want to work on in 2017. It involves knitting rather small things and leaving them anonymously as gifts in public places. I have been inspired by a church group who last week hung up hundreds of knitted angels around their town which were free for anyone who wanted to take one.
I think we can all give a little more next year.
Enjoy the rest of the Solstice everyone!
A personal blog, to be filled with examples craft stuff that I do, stuff that my husband and I experience on our journey to the cabin by the lake that we have promised ourselves, and whatever else catches my eye. Comments welcome.
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For knitting patterns on sale by instant digital download, see our range here: Hare's Moon knitting patterns.
Showing posts with label pagan. Show all posts
Showing posts with label pagan. Show all posts
Wednesday, 21 December 2016
Saturday, 17 September 2016
Nutcracker suite
Last weekend I spent about 20 minutes watching a squirrel in my garden. He (or she, impossible to tell unless you're close enough to get bitten) was helping himself to the hazel nuts on my tree. There are lots, and I don't really mind, I was just a little surprised to actually catch him doing it.
Today I decided to see if any nuts were ripe enough for me. A few are, but now I have a new problem ....
I don't have a nut cracker!
While I was in the garden, I thought I'd take a few pictures of the flowerbed, to show how the colours change from spring through to autumn - which we now seem to be in.
Today I decided to see if any nuts were ripe enough for me. A few are, but now I have a new problem ....
I don't have a nut cracker!
While I was in the garden, I thought I'd take a few pictures of the flowerbed, to show how the colours change from spring through to autumn - which we now seem to be in.
Sunday, 29 May 2016
Quick garden update
Not a lot of knitting going on here at the moment, although I'm still working on a sheep pattern.
But lots of stuff done in the garden. We've gone from this (last August):
To this (today):
But lots of stuff done in the garden. We've gone from this (last August):
To this (today):
Sunday, 5 July 2015
Day trip to Jorvik, and Quilt Museum
I've taken a few days off work for a long weekend and on Friday I went to York on a day coach trip. It's a long way, made longer when you have to pick up travellers from 3 towns before you even start, and then have a "comfort break" half way there and back in Derbyshire. But the coach wasn't full and I had the whole back seat to myself so I could spread out.
I did the same trip a couple of years ago with my daughter, but we didn't get to see inside the Minster as there was a wedding in progress, or go into the Jorvik Centre, so those were my plans for Friday. We arrived in York just after midday, and I headed directly to Jorvik. I had been looking forward to looking at the exhibition, and just managed to get in ahead of a party of school kids.
To say I was disappointed would be understating. I should mention here that I did my degree in Heritage and Landscape, and while I'm by no means an interpretation/exhibition expert, I do take a more professional view of things like this than your average tourist probably would. So with my critical eye, I have to say that a £10.50 entry fee - even if you can use it multiple times in a year - is a rip off. Given the huge amount of archaeology in York, there is very little on display in the Jorvik centre. The first room has a glass floor which covers a reconstructed "dig" or excavation of a typical Danelaw-era building. Not a real one, just a representation of one. There is a video screen on one wall, and a few interpretation panels set into the walls, along with a shoe which I think was a real one, but as it had no label I couldn't be sure. The lighting is very low, I assume so as to not have reflections on the glass, but it means you can't actually see very much of the shoe in its display case set into the wall.
Then you take a mechanical ride "through ancient Jorvik" in a moving gondola seat. The noise of the mechanics driving the seats around was too loud and distracted from the commentary coming from the head rests. The display was, well, embarrassing to be honest. Mannequins moving jerkily with their glazed expressions, some pretending to talk (to which the lady from the head rest responded - without explaining that the language would have been a mix of local dialect and imported Danish/Scandinavian). The smell I suppose was meant to evoke the varied smells of close-dwelling inhabitants of York in those times, but it just smelled like glue. I was rather glad to get off the ride, helped by a young lady who certainly looked of Scandinavian descent, and spoke with a slight Yorkshire accent, unlike some of the other staff in their too-clean clothes. There was even an American girl working there, and while I'm all for anyone getting a job here if they want one, having an American with a strong American accent in first-person interpretation set in a city in England before American had even been discovered, was just wrong!
The second room had more exhibition cases set into the walls, an interactive touch-screen "game" with Danelaw characters that you could take shopping and learn about the foods (except it didn't work very well, and wouldn't show me anything in the section on honey and bees), some skeletons in cases, and possibly the best part of the whole exhibition: a life size digital skeleton standing up with highlights of the medical wear and tear on the bones and possible causes, that then was dressed and had a facial reconstruction overlaid. She looked more real than the staff. But again, most of the exhibit cases were poorly lit and for items such as bone combs and jewellery, you really should be able to see all of the detail clearly.
It took me around 45 minutes to do the whole thing, and that was stretching it to read all of the interpretation and spend a few quid in the gift shop. Very disappointing and they seem to have taken the "pitch it at a 7-year-old" way too seriously as I didn't learn anything new from any of it. By contrast, you can go to the centre of Gloucester and look down on glass covered Roman remnants of the city in situ (not a reconstruction) for free, and as far as exhibits go, I prefer the Cirencester museum with lots of natural light and well thought-out displays of the roman and other jewellery and other artefacts.
From there I decided to pop into Duttons Buttons, a real treasure trove for the haberdasher! I bought some gently sparkling cream with grey marble buttons for a cardigan I am currently spinning yarn for. Could have spent a lot more in there than I did.
Next on my list was a visit to the Quilt Museum. It took a while to find it, as the signage pointed down the wrong road! Eventually I managed to track it down, and what a gem of a place it is! A little more than half the entrance price of Jorvik, but well worth every penny. Sadly, the museum will be closing at the end of this summer as they can't afford the rent on the Guildhall that they currently inhabit. This is such a shame, and means the 800 historic quilts that they currently own will not be shown to the public until or unless another suitable building can be found - surely with 2 Universities in York, some space could be made available to the Quilter's Guild?
Over the summer, the museum has an exhibition of 15 historic quilts paired with 15 new quilts designed and made by the designer Kaffe Fassett under the title "Ancestral Gifts". Kaffe is well known as a knitware designer, and known for his colour work especially. The quilts he has made for this exhibition are a gorgeous riot of rich colours, predominantly reds, oranges and pinks, but a couple of pastel quilts are there too. And the building itself is prefect for displaying them, with its very high beamed ceilings and simple white walls. I'm really glad that I decided to visit while it is still open, and I'd encourage anyone else with a love of textiles to go if you are in York between now and September.
I did the same trip a couple of years ago with my daughter, but we didn't get to see inside the Minster as there was a wedding in progress, or go into the Jorvik Centre, so those were my plans for Friday. We arrived in York just after midday, and I headed directly to Jorvik. I had been looking forward to looking at the exhibition, and just managed to get in ahead of a party of school kids.
To say I was disappointed would be understating. I should mention here that I did my degree in Heritage and Landscape, and while I'm by no means an interpretation/exhibition expert, I do take a more professional view of things like this than your average tourist probably would. So with my critical eye, I have to say that a £10.50 entry fee - even if you can use it multiple times in a year - is a rip off. Given the huge amount of archaeology in York, there is very little on display in the Jorvik centre. The first room has a glass floor which covers a reconstructed "dig" or excavation of a typical Danelaw-era building. Not a real one, just a representation of one. There is a video screen on one wall, and a few interpretation panels set into the walls, along with a shoe which I think was a real one, but as it had no label I couldn't be sure. The lighting is very low, I assume so as to not have reflections on the glass, but it means you can't actually see very much of the shoe in its display case set into the wall.
Then you take a mechanical ride "through ancient Jorvik" in a moving gondola seat. The noise of the mechanics driving the seats around was too loud and distracted from the commentary coming from the head rests. The display was, well, embarrassing to be honest. Mannequins moving jerkily with their glazed expressions, some pretending to talk (to which the lady from the head rest responded - without explaining that the language would have been a mix of local dialect and imported Danish/Scandinavian). The smell I suppose was meant to evoke the varied smells of close-dwelling inhabitants of York in those times, but it just smelled like glue. I was rather glad to get off the ride, helped by a young lady who certainly looked of Scandinavian descent, and spoke with a slight Yorkshire accent, unlike some of the other staff in their too-clean clothes. There was even an American girl working there, and while I'm all for anyone getting a job here if they want one, having an American with a strong American accent in first-person interpretation set in a city in England before American had even been discovered, was just wrong!
The second room had more exhibition cases set into the walls, an interactive touch-screen "game" with Danelaw characters that you could take shopping and learn about the foods (except it didn't work very well, and wouldn't show me anything in the section on honey and bees), some skeletons in cases, and possibly the best part of the whole exhibition: a life size digital skeleton standing up with highlights of the medical wear and tear on the bones and possible causes, that then was dressed and had a facial reconstruction overlaid. She looked more real than the staff. But again, most of the exhibit cases were poorly lit and for items such as bone combs and jewellery, you really should be able to see all of the detail clearly.
It took me around 45 minutes to do the whole thing, and that was stretching it to read all of the interpretation and spend a few quid in the gift shop. Very disappointing and they seem to have taken the "pitch it at a 7-year-old" way too seriously as I didn't learn anything new from any of it. By contrast, you can go to the centre of Gloucester and look down on glass covered Roman remnants of the city in situ (not a reconstruction) for free, and as far as exhibits go, I prefer the Cirencester museum with lots of natural light and well thought-out displays of the roman and other jewellery and other artefacts.
From there I decided to pop into Duttons Buttons, a real treasure trove for the haberdasher! I bought some gently sparkling cream with grey marble buttons for a cardigan I am currently spinning yarn for. Could have spent a lot more in there than I did.
Next on my list was a visit to the Quilt Museum. It took a while to find it, as the signage pointed down the wrong road! Eventually I managed to track it down, and what a gem of a place it is! A little more than half the entrance price of Jorvik, but well worth every penny. Sadly, the museum will be closing at the end of this summer as they can't afford the rent on the Guildhall that they currently inhabit. This is such a shame, and means the 800 historic quilts that they currently own will not be shown to the public until or unless another suitable building can be found - surely with 2 Universities in York, some space could be made available to the Quilter's Guild?
Over the summer, the museum has an exhibition of 15 historic quilts paired with 15 new quilts designed and made by the designer Kaffe Fassett under the title "Ancestral Gifts". Kaffe is well known as a knitware designer, and known for his colour work especially. The quilts he has made for this exhibition are a gorgeous riot of rich colours, predominantly reds, oranges and pinks, but a couple of pastel quilts are there too. And the building itself is prefect for displaying them, with its very high beamed ceilings and simple white walls. I'm really glad that I decided to visit while it is still open, and I'd encourage anyone else with a love of textiles to go if you are in York between now and September.
My final destination was meant to be York Minster, but for the second time they seem determined to keep pagans like me out of the place! Last time we were in York there was a wedding at the Minster; this time they were ordaining a new lady Bishop and the Minster was closed to the public all day. I had wondered why there were so many black-clad vicars wandering around the streets while I was trying to find the Quilt Museum, and it got me thinking what is the collective noun for clergy? A "cassock" perhaps? I decided to sit in the gardens to the side of the Minster for a while and read my book in the sunshine, and I could hear the choir inside singing which was nice.
At 4pm I went to find some sustenance for my long journey home, and settled on some fudge and a hog roast in a bun with all the trimmings. I felt a little bit of olde worlde was called for after the Vikings had let me down!
Friday, 20 March 2015
It's an eclipse Jim....
...but not as we know it!
A partial eclipse over most of the UK today, and thankfully I live in one of the few bits with very little cloud :)
I wish I'd cleaned my windows...
A partial eclipse over most of the UK today, and thankfully I live in one of the few bits with very little cloud :)
I wish I'd cleaned my windows...
Tuesday, 25 December 2012
A day like any other
My husband asked me a couple of letters ago how I really handle not celebrating Christmas when just about everyone else is all happy and merry and really getting into the festivities. He knows that my special day is the solstice, and that usually I do things over several days rather than cramming it all into a gluttonous 24 hours.
Plenty of people around the world do not observe Christmas as any kind of special day, and many have other days in the year that they celebrate with gifts and parties and a little too much food and drink. I often think that birthdays are more special than holidays, simply because your birthday is yours. That makes my husband's eyes roll as well, because he has no time for astrology :)
But seriously, it really is no big deal for me not to jump on the Christmas Day bandwagon. I've already opened the couple of gifts I received this year, when my daughter and her boyfriend came over for dinner on Sunday. They are spending today with friends who this year had a premature baby. But you see, just because I don't do Christmas, doesn't mean I don't participate in anything that happens at this time of year. Quite the contrary; many Christmas traditions are based on pagan activities.
I send Yule cards rather than Christmas cards. I spend quite a bit of time each November hunting down cards that say "Seasons greetings" rather than any reference to Christmas, and I make sure that some of them have no glitter or other embellishments on so that they are prison-friendly. They usually have trees on, or robins and snowmen.
Talking of trees, I would have a tree as long as it still had roots, but I don't have a garden to keep it in. So for the past couple of years I haven't had a tree indoors at all or any specific decorations beyond some seasonal greenery in a bowl. But I have a yew tree just 5 feet from my front room window so I usually have my own show of birds to decorate my view instead.
I give gifts. Mostly handmade, or just small things that I know the recipients really want. I receive gifts too, though rarely as many as I give, but that's OK. It's not the receiving that counts.
We share food and drink, with people we want to spend time with. That's possibly a little different to the majority Christmas where you "have" to spend time with "family" whether you want to or not because it is "tradition". I love to cook, so having the kids over for dinner was great for me to do a full roast. As I now live on my own, I rarely cook that much food in one go these days. Eating with friends is also part of my tradition, whether I'm making food to send to them, or eating out with them as I will be in a couple of day's time for one of our regular lunches.
So really as you can see, my end of December isn't that different to other people's. I just don't spend ridiculous amounts of money, or hoard bread and milk as if the world is about to end. It's quite liberating, in an old fashioned kinda way.
Plenty of people around the world do not observe Christmas as any kind of special day, and many have other days in the year that they celebrate with gifts and parties and a little too much food and drink. I often think that birthdays are more special than holidays, simply because your birthday is yours. That makes my husband's eyes roll as well, because he has no time for astrology :)
But seriously, it really is no big deal for me not to jump on the Christmas Day bandwagon. I've already opened the couple of gifts I received this year, when my daughter and her boyfriend came over for dinner on Sunday. They are spending today with friends who this year had a premature baby. But you see, just because I don't do Christmas, doesn't mean I don't participate in anything that happens at this time of year. Quite the contrary; many Christmas traditions are based on pagan activities.
I send Yule cards rather than Christmas cards. I spend quite a bit of time each November hunting down cards that say "Seasons greetings" rather than any reference to Christmas, and I make sure that some of them have no glitter or other embellishments on so that they are prison-friendly. They usually have trees on, or robins and snowmen.
Talking of trees, I would have a tree as long as it still had roots, but I don't have a garden to keep it in. So for the past couple of years I haven't had a tree indoors at all or any specific decorations beyond some seasonal greenery in a bowl. But I have a yew tree just 5 feet from my front room window so I usually have my own show of birds to decorate my view instead.
I give gifts. Mostly handmade, or just small things that I know the recipients really want. I receive gifts too, though rarely as many as I give, but that's OK. It's not the receiving that counts.
We share food and drink, with people we want to spend time with. That's possibly a little different to the majority Christmas where you "have" to spend time with "family" whether you want to or not because it is "tradition". I love to cook, so having the kids over for dinner was great for me to do a full roast. As I now live on my own, I rarely cook that much food in one go these days. Eating with friends is also part of my tradition, whether I'm making food to send to them, or eating out with them as I will be in a couple of day's time for one of our regular lunches.
So really as you can see, my end of December isn't that different to other people's. I just don't spend ridiculous amounts of money, or hoard bread and milk as if the world is about to end. It's quite liberating, in an old fashioned kinda way.
Wednesday, 21 December 2011
Winter Solstice
Today is the shortest day, but it has felt very long indeed. In fact, half past 2 this afternoon seemed to last about 3 hours. Such is the way when you work in a department where every other team does a fraction of the work that yours does.
I had a present to open tonight. As you may know, I don't celebrate Christmas but I do observe the solstices. Today a friend at work came bouncing up to me waving a wrapped gift in my face and said "I know you don't do Christmas, and this isn't something that means you have to get me anything in return, but you know when you see something and you just know who would really love that thing? Well I saw this and knew it was for you!"
This particular friend has had a rough year with her health having being diagnosed as epileptic, and her father currently has cancer. She is though, one of the most sociable people I know and we go out for lunch every 6 weeks or so for a good gossip. She is celebrating a birthday next month that she has decided will be her 30th (*cough*) and I am desperately looking for some rust-coloured mohair yarn to make her an orangutang with but that's another blog post!
Butterflies are very symbolic, and they are something I strongly associate with both my mum and my friend Ciel. I have just opened the gift to find a writing set inside a cover that has butterflies all over it.
I believe that the Gods talk to us in ways they think we will understand. I believe many people go through life ignoring the Gods simply because they don't listen. Both my mum and Ciel promised that if there was any way for them to communicate after they died, they would find it and I would know.
Today, I know. Message received loud and clear.
I had a present to open tonight. As you may know, I don't celebrate Christmas but I do observe the solstices. Today a friend at work came bouncing up to me waving a wrapped gift in my face and said "I know you don't do Christmas, and this isn't something that means you have to get me anything in return, but you know when you see something and you just know who would really love that thing? Well I saw this and knew it was for you!"
This particular friend has had a rough year with her health having being diagnosed as epileptic, and her father currently has cancer. She is though, one of the most sociable people I know and we go out for lunch every 6 weeks or so for a good gossip. She is celebrating a birthday next month that she has decided will be her 30th (*cough*) and I am desperately looking for some rust-coloured mohair yarn to make her an orangutang with but that's another blog post!
Butterflies are very symbolic, and they are something I strongly associate with both my mum and my friend Ciel. I have just opened the gift to find a writing set inside a cover that has butterflies all over it.
I believe that the Gods talk to us in ways they think we will understand. I believe many people go through life ignoring the Gods simply because they don't listen. Both my mum and Ciel promised that if there was any way for them to communicate after they died, they would find it and I would know.
Today, I know. Message received loud and clear.
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